Thibaut Devigne
Excellent piece of ambient music. subtle drones and ethereal piano notes. It is all very minimalistic in the sense that only the absolute necessarry is played. It is so well performed that it will suit passive as well as deep listening in very fulfilling ways. Brilliant!
Runarlejou
These "just intonation" intervals are so fascinating... Deep and significant resonance. I follow Michael Harrison's work since years. Love it. In this particular recording, I like the synthetiser sounds. They give renewed colors to the piano ragas.
enolcmelca
Outstandinng! If you enjoy Gurdjieff/deHartmann, Nils Frahm, Harold Budd, or Satoh, these calm chromatic meditations with delay and microtonality will be special. Please tour the U.S.
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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$10USD or more
Record/Vinyl + Digital Album
45RPM double LP accompanied by a risograph printed insert featuring track credits and Harrison’s handwritten tuning charts used on the album.
Includes unlimited streaming of Christina Vantzou, Michael Harrison and John Also Bennett
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 10 days
Purchasable with gift card
$28USDor more
2LP Vinyl Edition
Record/Vinyl + Digital Album
45RPM double LP accompanied by a risograph printed insert featuring track credits and Harrison’s handwritten tuning charts used on the album.
Includes unlimited streaming of Christina Vantzou, Michael Harrison and John Also Bennett
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
A suite of raga-inspired compositions and improvisations that grew from a fertile collaboration between Christina Vantzou, Michael Harrison and John Also Bennett centered around a devotion to just intonation tuning, deep listening, and resonant spaces.
Michael Harrison is a composer and pianist who is a dedicated practitioner of just intonation and North Indian classical music. He was La Monte Young's protégé and piano tuner during The Well-Tuned Piano years and a disciple of Pandit Pran Nath, and has since developed his own customized tuning systems. Guided by conversations with Christina Vantzou, who provided structural frameworks for each piece and directed the sessions, the compositions drew from Harrison's daily raga practice, using its ancient forms as starting points from which the compositions could blossom and morph. A resonant backdrop of modular synthesizers played by John Also Bennett, who also contributed piano improvisations played on Harrison’s custom tuned Steinway concert grand, expanded the sessions into true collective praxis.
As noted by Parul Gupta, a conceptual artist based in New Delhi who contributed the stunning artwork for the album, “the songs feel like an extension of silence.” The notes from the piano emerge, resonate, and dissolve in measured and meditative sonic fields, allowing for a concentrated listening experience where every sound lives, breathes, and ultimately returns to silence. Contained within these aural ecologies are potentialities that emerge from a collective listening and improvising experience, and a resonant rebuttal of the standard equal tempered tuning system that has dominated Western music for centuries.
This release collects the verdant recordings from the trio’s 2019 Berlin sessions on two 45rpm records, accompanied by a risograph printed insert featuring track credits and Harrison’s handwritten tuning charts used on the album.
"An observer, a pianist and a synthesist form a triangle. The observer (Christina) is both witness and guide, the pianist (Michael) is precise and intuitive, and the synthesist (John) provides a palate of drones which offer increased resonance and a supportive framework. The piano has been carefully prepared to become a resonant body. This enhancement was achieved by tuning it to two of Michael’s just intonation tunings, based on his work, “Revelation,” and North Indian classical music, or ragas. These tunings maintain mathematically precise intervals. In place of voice, sitar or tabla, is the piano, and in place of the tanpura, is the synthesizer. Playing ragas is an ancient practice of structured improvisation. Time, knowledge and memory interplay in the body and mind of the practitioner and this is a large part of the raga practice. The raga combines with muscle memory and personal aesthetics to individuate results. Through the formation of a trio, multiple perspectives and timelines collapse and the raga mutates again. These twists and turns seem to only fall back on themselves as the raga shows us that there are multiple compositions already stored in our collective memory. They blossom, morph and spring forth like nature.
Nothing was written down to execute these recordings. The simplest forms were explored in the least complicated way. The first reflection of this process is what happens in the mind and body of the listener. The observer is always observing. Regions of sound tap into memory and imagination and the sound of the raga itself becomes a prismatic event." — Christina Vantzou
credits
released September 2, 2022
Christina Vantzou: Sound Direction
Michael Harrison: Piano, Just Intonation Tunings
John Also Bennett: Synthesizers, Piano
Recorded and mixed by Francesco Donadello at Vox-Ton Studio, Berlin. Mastered by Brandon Hocura, Picton.
Cover artwork by Parul Gupta, courtesy of Nature Morte, New Delhi. Design by Alan Briand, Paris.
Christina Vantzou, Michael Harrison and John Also BennettBrussels, Belgium
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The always brilliant Not Not Fun label returns, with this transportive collection of ambient experimentalism from Dreamers Cloth. Bandcamp New & Notable Jun 10, 2019
supported by 59 fans who also own “Christina Vantzou, Michael Harrison and John Also Bennett”
Absolutely love this recording. I listen to it at work. I listen to it in the car on the way home from work. I listen to it while falling asleep. Curtis’ cello is so amazing. Just got the vinyl in the mail from Discogs the other day! Can’t wait to play on my hi-fi system! Dave Sewall